Otherwise I found that this flick was well directed, edited and produced and shows the capabilities of Israel’s artistic filmmakers after two films from the region were nominated for documentary Oscars (the Gatekeepers and 5 Broken Cameras) both of which portrayed Israeli politics in a less than favorable light.Įven though I enjoyed this movie artistically and found the script and its delivery entertaining, I was conscious before the movie ended that this film was going to be shown in New York City the following week at Martin Scorcese’s FTS (First Time Screenings) and that as harmful as the two aforementioned documentaries could be to foreigners’ perceptions of Israel and Israelis, this film even goes further to portray Israelis as less than sympathetic reprobates except for the aforementioned telephone operator. Maybe the narratives show a lack of confidence by the director or screenwriter that they’re not otherwise telling their intended story to the audience. The narrative is helped along by documentary style confessions that break the fourth wall and seem sometimes out of place, especially with one last narrative for an ending (which could have been more poignant by ending with the last scene between brother and sister). The great cast of supporting players often steal the scenes they’re in where they each get to shine with a monologue about their role in Israeli life whether, its a nurse, a police officer, a cell-mate or an estranged father or telephone operator (the most sympathetic character in the film).Įvery actor and actress in this well-cast ensemble were awarded close-ups, which allowed each actor to show a great range of facial miming as a response to the other actors in each scene or deliver their own lines with pathos and flair as the two protagonists go on a sexual walkabout after their mother passes away from cancer with the brother being mentored by his jaded married Bible studies teacher and his sister by a girlfriend peer. What seems to be a series of deliberate provocations were numerous and seemed forced and manipulative at times and at times distracted from masterful acting by the two leads Barak Friedman and Noa Friedman (no relation) who play not so innocent teenage brother and sister.
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